About

A graduate in French at La Sorbonne, Paris, as well as in Psychoanalysis and in Science and Technology Studies at University College London (UCL), Estelle Marois is a contemporary art curator and writer, with work experience at Nicoletti, the Institute of Contemporary Arts (ICA), the Institut français du Royaume-Uni, London, and the Éditions du Seuil, Paris.

Among her independent curatorial projects, Estelle has organised exhibitions Seduced by Story, SIRA, Asnières-sur-Seine (2025) and Un bouton noir tombé sous la table, Les Jardiniers, Montrouge (2025) with Margaux Gillet ; the total climate cycle, Nicoletti, London (2022-2025) with Gaëlle Choisne and Camille Houzé; White Sands ATS-3, Baleno International, Rome (2023-2024) and not before it has forgotten you, Nicoletti (2022) with Caroline Drevait; and Changing Track, P21 Gallery, London (2023). She has also published a book on contemporary photography, The Same Moon Above Us. A Tunisian Tale (2021); produced podcasts on art and psychology for Stillpoint Spaces (2020); and co-programmed performance evenings for Art Night, London (2019) and for Les Bains Paris (2018, 2025).

Estelle has written exhibition texts, notably for Klara Jakes at Profil, Paris (2025), Clémentine Bruno at Tonus, Paris (2024), Christophe de Rohan Chabot at Gaudel de Stampa, Paris (2024), Minh Lan Tran at Parliament, Paris (2024) and Harlesden High Street, London (2023), Marine Wallon at Stoppenbach & Delestre, London (2023); as well as articles for revue02, Arcane, émergent and Tide magazine.

She is also a laureate of the Villa Salammbô residency with the French Institute in Tunisia, Sousse (2026), a Fluxus Art Projects curatorial grant (2024), and the international research and creation residency at Le Wonder, Bobigny (2024).